SON LE
San Francisco / Berlin
über den künstler
On multiples:
It's not necessarily that pictures lie when composed singularly, it's that things mean differently when you edit other things out, made nicer- too nice, maybe. By composing segments together, minor truths are shown; that which are nice in the simple simplicity of things that exist without complications, .. but as well, you get the relation to the fragile totality of incidental life that we live in- so are the happenings that gives everything we do: and all that we know to exists, some sort of meaning: essentially some sort of soulfulness. Consolatory or not.
On mood:
There are moments when and where the world
from that standpoint
feels utterly momentous
Things seem to slow down,
oscillating in their own weighted momentum
In this sphere,
things are more real
and surreal
im dressing them in light so you can see them.
On work:
My work is a reduction of perception.
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